Wed Jun 13, 8:00 PM - Wed Jun 13, 11:00 PM
City Winery NYC
155 Varick St, New York, NY 10013
Community: Times Square
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"We decided to call this album Revelation because we want to make music that reveals something to people about their lives and their world,” says Jojo Garza. He's talking about the new release by Los Lonely Boys, the close-knit Texas trio that the bassist
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DOORS OPEN 6PM SHOW STARTS 8PM
“As musicians and artists, we’re here to connect with people, and to share our view of things.”
Revelation — to be released on the band’s own LonelyTone imprint Jan. 21, 2014, in association with the respected Austin-based indie Playing in Traffic — is a landmark release for the siblings. While maintaining the infectiously melodic mix of bluesy rock ’n’ roll and rootsy brown-eyed soul that’s long endeared Los Lonely Boys to its fiercely loyal fan base, Revelation adds an expansive range of new sonic elements, e.g. the conjunto touches of “Blame It On Love,” the reggae groove of “Give A Little More,” the rustic acoustic textures of “It’s Just My Heart Talkin’ and the baroque pop elements of “There’s Always Tomorrow.”
“We’re always trying to broaden our horizons and advance musically, and that’s something that we were very conscious of in making this record,” Jojo states. “We’re always looking for new ways to communicate and reach people, so we experimented with a lot of different sounds and production approaches.”
Toward that end, the brothers also collaborated with an eclectic cast of co-writers in assembling the dozen new original songs that comprise Revelation, including alt-country icon Radney Foster, in-demand pop tunesmiths Matthew Gerrard and David Quiñones, Black-Eyed Peas collaborators George Pajon Jr. and Keith Harris, and Raul Pacheco of Ozomatli.
Revelation also marks Los Lonely Boys’ first recording work since Henry Garza sustained serious injuries in a fall from the stage during a February 2013 performance in Los Angeles, necessitating a lengthy and ongoing recovery period.
“We nearly lost Henry, man, and that was a big change for us,” Jojo acknowledges. “The whole experience was a wake-up call for us. It made us rethink every aspect of our lives and our careers, and it reminded us of what’s really important to us.”
The abidi
“As musicians and artists, we’re here to connect with people, and to share our view of things.”
Revelation — to be released on the band’s own LonelyTone imprint Jan. 21, 2014, in association with the respected Austin-based indie Playing in Traffic — is a landmark release for the siblings. While maintaining the infectiously melodic mix of bluesy rock ’n’ roll and rootsy brown-eyed soul that’s long endeared Los Lonely Boys to its fiercely loyal fan base, Revelation adds an expansive range of new sonic elements, e.g. the conjunto touches of “Blame It On Love,” the reggae groove of “Give A Little More,” the rustic acoustic textures of “It’s Just My Heart Talkin’ and the baroque pop elements of “There’s Always Tomorrow.”
“We’re always trying to broaden our horizons and advance musically, and that’s something that we were very conscious of in making this record,” Jojo states. “We’re always looking for new ways to communicate and reach people, so we experimented with a lot of different sounds and production approaches.”
Toward that end, the brothers also collaborated with an eclectic cast of co-writers in assembling the dozen new original songs that comprise Revelation, including alt-country icon Radney Foster, in-demand pop tunesmiths Matthew Gerrard and David Quiñones, Black-Eyed Peas collaborators George Pajon Jr. and Keith Harris, and Raul Pacheco of Ozomatli.
Revelation also marks Los Lonely Boys’ first recording work since Henry Garza sustained serious injuries in a fall from the stage during a February 2013 performance in Los Angeles, necessitating a lengthy and ongoing recovery period.
“We nearly lost Henry, man, and that was a big change for us,” Jojo acknowledges. “The whole experience was a wake-up call for us. It made us rethink every aspect of our lives and our careers, and it reminded us of what’s really important to us.”
The abidi
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